Basic Info / 基本情報
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English 2435_bca198-a2> |
日本語 2435_9a7076-e8> |
|---|---|
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Director 2435_1abd44-b9> |
Darius Marder / ダリウス・マーダー 2435_e5f715-de> |
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Year 2435_0d38f8-45> |
2019 2435_eb976b-62> |
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Running Time 2435_3429c3-bd> |
120 min (2h 0m) 2435_750078-77> |
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Genre 2435_584b53-a5> |
Drama / ドラマ 2435_96f0ed-7e> |
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Production 2435_0c12ed-a2> |
Ward Four, Caviar 2435_71af19-22> |
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Box Office 2435_281159-2a> |
$1.0 million (Theatrical) 2435_1a0880-a5> |
Synopsis / あらすじ
English Ruben is a heavy metal drummer whose life is defined by the visceral power of sound. When his hearing suddenly vanishes, his world collapses into a terrifying void. Desperate to “fix” his life, he enters a sober community for the deaf run by Joe, a man who believes deafness is not a brokenness to be repaired, but a culture to be embraced. Ruben must choose between a frantic, costly quest to regain his past or the daunting path of accepting a new, silent reality. Sound of Metal is a profound exploration of loss and the transcendent stillness that remains when the noise of the world finally fades away.
日本語 ルーベンは、音の衝撃を糧に生きるヘヴィメタルのドラマーです。しかし、突如訪れた失聴によって、彼の世界は恐怖の空白へと一変します。かつての自分を「修理」しようと足掻く彼は、ジョーという男が運営する聾者のコミュニティに身を寄せます。ジョーは「聾(ろう)は治すべき欠陥ではなく、受け入れるべきアイデンティティである」と説きますが、過去に固執するルーベンは葛藤し、高額な人工内耳手術を追い求めます。『サウンド・オブ・メタル』は、喪失の痛みと、世界の騒音が止んだ後にのみ訪れる「真の静寂」を描いた、魂の再生の物語です。
Cast & Crew / スタッフ・出演
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Role 2435_e61476-9c> |
English 2435_d51542-e5> |
日本語 2435_12ce1e-39> |
|---|---|---|
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Director / 監督 2435_7d6dda-38> |
Darius Marder 2435_2d3caa-5c> |
ダリウス・マーダー 2435_260128-d8> |
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Screenplay / 脚本 2435_b40fbe-2a> |
Darius Marder, Abraham Marder 2435_1eb1e2-dd> |
ダリウス・マーダー、エイブラハム・マーダー 2435_33d2d7-ed> |
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Story by 2435_6ef877-75> |
Darius Marder, Derek Cianfrance 2435_a47d87-d5> |
ダリウス・マーダー、デレク・シアンフランス 2435_efe993-8d> |
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Producer / プロデューサー 2435_535240-fc> |
Bert Hamelinck, Sacha Ben Harroche 2435_ae72b6-4b> |
バート・ハメリンク、サシャ・ベン・ハロッシュ 2435_8caffa-74> |
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Cinematography / 撮影 2435_913770-db> |
Charlotte Bruus Christensen 2435_ad4f1a-3a> |
シャルロット・ブルース・クリステンセン 2435_c9b2df-d8> |
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Music / 音楽 2435_608d20-8e> |
Abraham Marder 2435_1b319c-23> |
エイブラハム・マーダー 2435_e2435a-fa> |
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Editing / 編集 2435_edab5d-38> |
Mikkel E.G. Nielsen 2435_28fed3-88> |
ミッケル・E・G・ニールセン 2435_7a4bf1-2e> |
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Sound Design 2435_d881a7-a5> |
Nicolas Becker 2435_621e35-71> |
ニコラ・ベッケル 2435_b88497-29> |
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Distribution / 配給 2435_828b24-bd> |
Amazon Studios (US) 2435_952c4b-5f> |
アマゾン・スタジオズ(米国) 2435_b9650f-5e> |
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Cast / 出演 2435_3347cb-94> |
Riz Ahmed (Ruben Stone) 2435_4bfb37-f9> |
リズ・アーメッド(ルーベン・ストーン) 2435_6c3439-a8> |
| 2435_339d9c-7b> |
Olivia Cooke (Lou) 2435_00c816-f9> |
オリヴィア・クック(ルー) 2435_838664-67> |
| 2435_1fa5ae-84> |
Paul Raci (Joe) 2435_bf3a59-59> |
ポール・ラシ(ジョー) 2435_658aeb-bc> |
| 2435_1a235d-b5> |
Lauren Ridloff (Diane) 2435_ce8aaa-a0> |
ローレン・リドロフ(ダイアン) 2435_376631-19> |
| 2435_c231ae-75> |
Mathieu Amalric (Richard) 2435_a3a4dd-40> |
マチュー・アマルリック(リシャール) 2435_948e4f-5b> |
| 2435_12aa8a-52> |
Chelsea Lee (Jessica) 2435_dd0ab4-c3> |
チェルシー・リー(ジェシカ) 2435_376d1b-f9> |
Additional Information / 追加情報
Awards / 受賞歴
- 93rd Academy Awards (2021) – 6 nominations, 2 wins:
- Best Film Editing – WON (Mikkel E.G. Nielsen)
- Best Sound – WON (Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés, Philip Bladh)
- Best Picture – nomination
- Best Actor – nomination (Riz Ahmed)
- Best Supporting Actor – nomination (Paul Raci)
- Best Original Screenplay – nomination (Darius Marder, Abraham Marder)
- 78th Golden Globe Awards (2021) – 2 nominations:
- Best Actor in a Motion Picture – Drama – nomination (Riz Ahmed)
- Best Screenplay – nomination (Darius Marder, Abraham Marder)
- 74th BAFTA Awards (2021) – 4 nominations:
- Best Actor in a Leading Role – nomination (Riz Ahmed)
- Best Actor in a Supporting Role – nomination (Paul Raci)
- Best Original Screenplay – nomination
- Best Editing – nomination
- Screen Actors Guild Awards (2021) – 1 nomination:
- Outstanding Performance by a Male Actor in a Leading Role – nomination (Riz Ahmed)
- Independent Spirit Awards (2021) – 3 wins:
- Best Feature – WON
- Best Director – WON (Darius Marder)
- Best Male Lead – WON (Riz Ahmed)
Critical Reception / 批評的評価
- Rotten Tomatoes: 97% (Critics), 93% (Audience)
- Metacritic: 97/100 (Universal Acclaim)
- IMDb: 7.8/10
- Eiga.com(映画.com): 3.9/5
- Considered one of the finest films of 2020 and a landmark in cinema’s treatment of disability and identity
- Riz Ahmed’s performance described as one of the great physical and psychological achievements in recent American cinema — a performance of extreme presence and controlled disintegration
- Paul Raci — a hearing child of deaf parents, fluent in American Sign Language, and a Vietnam veteran — brought to the role an authority no actor without that background could have provided; his Oscar nomination was widely described as overdue recognition of an extraordinary career
- The sound design by Nicolas Becker — the film’s true co-author — universally praised as a formal and technical revolution: the audience hears the film through Ruben’s ears, experiencing the progressive distortion and eventual silence of his auditory world
- Charlotte Bruus Christensen’s cinematography praised for its physical intimacy and its sensitivity to the visual language of deaf space
- Roger Ebert.com: ★★★★ “A film of devastating precision — Marder and Ahmed have made something genuinely new”
- The New York Times: “An extraordinary film about loss, identity, and the silence inside the noise”
- Variety: “Ahmed gives the performance of the year — a film that earns every one of its silences”
- The Guardian: ★★★★★ “One of the most important films about disability in cinema history”
- The Deaf community’s reception was nuanced: many praised the film’s portrayal of Deaf culture as community and identity rather than tragedy; some noted that Joe’s perspective — implants as betrayal of Deaf culture — represents one position within a genuinely divided community debate, not a universal consensus
- The film’s depiction of cochlear implants was discussed extensively in audiology, otolaryngology, and disability studies — praised for accuracy about both what implants can and cannot deliver
- Widely considered alongside Children of a Lesser God (1986) and The Sound and the Fury as defining films about deafness in American cinema
- The final scene — Ruben removing his processors and sitting in silence — cited as one of the decade’s most profound endings
Box Office Performance / 興行成績
- Format: Amazon Studios — streaming release with limited theatrical
- Theatrical Gross: ~$1.0 million (very limited theatrical run, primarily festival)
- Streaming: Amazon Prime Video (primary release platform)
- Production Budget: ~$6 million (estimated)
- Performance Analysis:
- Released October 2020 during COVID-19 pandemic — theatrical release effectively impossible
- Amazon’s streaming platform allowed the film to reach an audience far beyond what theatrical would have permitted
- TIFF 2019 premiere built strong industry buzz over a year before wide release
- Six Oscar nominations — including Best Picture — transformed its cultural profile
- Riz Ahmed’s acting nominations drove significant streaming viewership
- The film’s sound design Oscar win became a teaching moment: suddenly audiences understood why cinema sound matters
- Streaming Impact:
- One of Amazon’s most critically successful original films
- The accessibility of streaming was, for a film about deafness and accessibility, particularly resonant
- Amazon provided closed captions and audio descriptions — allowing both deaf and blind audiences to engage with the film
- Introduced Darius Marder and Riz Ahmed to the broadest possible audience
- Awards Season (Pandemic Year):
- The 93rd Oscars (April 25, 2021) were postponed from their usual February date due to COVID-19
- Sound of Metal competed against Nomadland (eventual Best Picture winner), The Father, Judas and the Black Messiah, and Promising Young Woman
- Its two wins (Sound, Editing) were the most technically precise recognition of its most technically revolutionary achievements
Related Review / 関連レビュー
🔗 English Review
・[International Cochlear Implant Day] In Silenced World, What to Choose — Answer Found in Silence
🔗 日本語レビュー
・【国際人工内耳の日】聞こえなくなった世界で、何を選ぶのか——静寂の中に見つけた答え




