Basic Info / 基本情報
| English | 日本語 |
|---|---|
| Director | Bong Joon-ho / ポン・ジュノ（奉俊昊） |
| Year | 2019 |
| Running Time | 132 min (2h 12m) |
| Genre | Dark Comedy, Thriller, Drama / ブラックコメディ、スリラー、ドラマ |
| Production | Barunson E&A, CJ Entertainment |
| Box Office | $258.8 million (Worldwide) |
English (Short Synopsis)
The Kim family lives a hand-to-mouth existence in a dark, damp semi-basement apartment, struggling to make ends meet. Their fortunes change when their son, Ki-woo (Choi Woo-shik), secures a position as an English tutor for the daughter of the wealthy Park family, using a forged degree.
One by one, the Kims cunningly insinuate themselves into the Park household, displacing the existing staff to become their driver, art therapist, and housekeeper. The two families, occupying vastly different social strata, become inextricably linked—until a shocking secret hidden deep within the Park’s basement is unraveled.
日本語 (簡潔なあらすじ)
キム家は、陽の当たらない湿った半地下住宅で、その日暮らしの貧しい生活を送っていました。しかし、息子ギウ（チェ・ウシク）が学歴を偽造し、裕福なパク家の娘の英語家庭教師の職を手に入れたことから、家族の運命は大きく動き出します。
ギウを皮切りに、キム家の面々は次々とパク家に潜入。運転手、美術療法士、家政婦として、元の雇い主たちを巧妙に追い出し、豪邸に入り込んでいきます。全く異なる階級に属する二つの家族は、切っても切れない関係へと発展していきますが、パク家の地下室に隠されていた「衝撃的な秘密」が明らかになった時、物語は破滅的な結末へと加速していきます。
Cast & Crew / スタッフ・出演
| Role | English | 日本語 |
|---|---|---|
| Director / 監督 | Bong Joon-ho | ポン・ジュノ（奉俊昊） |
| Screenplay / 脚本 | Bong Joon-ho, Han Jin-won | ポン・ジュノ、ハン・ジンウォン（韓進元） |
| Producer / プロデューサー | Kwak Sin-ae, Moon Yang-kwon, Jang Young-hwan | クァク・シネ（郭信愛）、ムン・ヤンクォン、チャン・ヨンファン |
| Cinematography / 撮影 | Hong Kyung-pyo | ホン・ギョンピョ（洪炅杓） |
| Music / 音楽 | Jung Jae-il | チョン・ジェイル（鄭在日） |
| Editing / 編集 | Yang Jin-mo | ヤン・ジンモ（梁珍模） |
| Production Design | Lee Ha-jun | イ・ハジュン（李河俊） |
| Distribution / 配給 | CJ Entertainment (South Korea), Neon (US) | CJエンターテインメント（韓国）、ネオン（米国） |
| Cast / 出演 | Song Kang-ho (Kim Ki-taek / Father) | ソン・ガンホ（宋康昊 / キム・ギテク / 父） |
| Lee Sun-kyun (Park Dong-ik / Mr. Park) | イ・ソンギュン（李善均 / パク・ドンイク / パク氏） | |
| Cho Yeo-jeong (Choi Yeon-gyo / Mrs. Park) | チョ・ヨジョン（趙如晶 / チェ・ヨンギョ / パク夫人） | |
| Choi Woo-shik (Kim Ki-woo / Son) | チェ・ウシク（崔宇植 / キム・ギウ / 息子） | |
| Park So-dam (Kim Ki-jung / Daughter) | パク・ソダム（朴素淡 / キム・ギジョン / 娘） | |
| Jang Hye-jin (Chung-sook / Mother) | チャン・ヘジン（張惠珍 / チュンスク / 母） | |
| Jung Ji-so (Park Da-hye / Park’s daughter) | チョン・ジソ（鄭智素 / パク・ダヘ / パクの娘） | |
| Jung Hyeon-jun (Park Da-song / Park’s son) | チョン・ヒョンジュン（パク・ダソン / パクの息子） | |
| Lee Jung-eun (Gook Moon-gwang / Housekeeper) | イ・ジョンウン（李靜恩 / グク・ムングァン / 家政婦） | |
| Park Myung-hoon (Geun-sae / Housekeeper’s husband) | パク・ミョンフン（朴明勲 / グンセ / 家政婦の夫） | |
| Park Seo-joon (Min-hyuk / Friend) | パク・ソジュン（朴敍俊 / ミンヒョク / 友人） |
Additional Information / 追加情報
Awards / 受賞歴
- 92nd Academy Awards (2020) – 6 nominations, 4 wins:
- Best Picture – WON (First non-English language film to win)
- Best Director – WON (Bong Joon-ho)
- Best Original Screenplay – WON (Bong Joon-ho, Han Jin-won)
- Best International Feature Film – WON
- Best Film Editing – nomination
- Best Production Design – nomination
- 77th Golden Globe Awards (2020) – 3 nominations, 1 win:
- Best Foreign Language Film – WON
- Best Director – nomination (Bong Joon-ho)
- Best Screenplay – nomination
- 73rd BAFTA Awards (2020) – 4 nominations, 2 wins:
- Best Film not in the English Language – WON
- Best Original Screenplay – WON
- Best Director – nomination (Bong Joon-ho)
- Best Film – nomination
- 72nd Cannes Film Festival (2019) – 1 win:
- Palme d’Or – WON (First Korean film to win)
- 26th Screen Actors Guild Awards (2020) – 3 nominations, 1 win:
- Outstanding Performance by a Cast in a Motion Picture – WON
- Outstanding Performance by a Male Actor in a Supporting Role – nomination (Song Kang-ho)
- Outstanding Performance by a Female Actor in a Supporting Role – nomination (Lee Jung-eun)
- 25th Critics’ Choice Awards (2020) – 6 nominations, 3 wins:
- Best Foreign Language Film – WON
- Best Director – WON (Bong Joon-ho)
- Best Original Screenplay – WON
- Best Picture – nomination
- Best Editing – nomination
- Best Production Design – nomination
- Blue Dragon Film Awards (2019) – 5 wins:
- Best Film – WON
- Best Director – WON (Bong Joon-ho)
- Best Screenplay – WON
- Best Actor – WON (Song Kang-ho)
- Best Art Direction – WON
Critical Reception / 批評的評価
- Rotten Tomatoes: 98% (Critics), 90% (Audience)
- Metacritic: 96/100 (Universal Acclaim)
- IMDb: 8.5/10
- Eiga.com (映画.com): 3.9/5
- Filmarks: 4.0/5
- Universally acclaimed as masterpiece
- Bong Joon-ho’s direction praised as visionary
- Genre-defying: Comedy, thriller, drama, horror
- Social commentary on class inequality lauded
- Ensemble cast performances highly praised
- Production design (Lee Ha-jun) iconic
- Roger Ebert.com: ★★★★ “A wickedly funny and thrilling social satire”
- The New York Times: “A bravura piece of filmmaking”
- Variety: “An exhilarating thriller”
- The Guardian: ★★★★★ “Bong’s masterpiece”
- Criticized by virtually no one
- 98% Rotten Tomatoes = near-perfect consensus
Box Office Performance / 興行成績
- Worldwide Total: $258.8 million
- Domestic (South Korea): $71.8 million (₩84.3 billion)
- Attendance: 10 million (milestone)
- US/Canada: $53.4 million (highest-grossing South Korean film in US)
- International: $133.6 million
- Japan: $15.5 million
- UK: $9.4 million
- France: $11.2 million
- Germany: $7.8 million
- Australia: $6.9 million
- China: $6.1 million
- Spain: $5.7 million
- Italy: $4.8 million
- Vietnam: $3.2 million
- Production Budget: $11.4 million (₩13.5 billion)
- Return on Investment: 22.7x (enormous success)
- Opening Weekend (South Korea):
- Released May 30, 2019 in 1,720 screens
- ₩11.4 billion opening weekend
- #1 at box office
- South Korea Performance:
- 10 million admissions (major milestone)
- Second-highest grossing Korean film of 2019
- Only behind Avengers: Endgame in total 2019 box office
- US Performance:
- Limited release October 11, 2019 (3 theaters)
- $376,264 opening weekend (limited)
- $125,421 per-theater average (record-breaking)
- Expanded slowly, reached 2,001 theaters (February 2020, post-Oscars)
- Post-Oscar Best Picture win: Re-expanded, $5.5M weekend
Related Review / 関連レビュー
🔗 English Review
・[World Plumbing Day] Social Structure as Plumbing System — Water Flows Downward, Sewage Accumulates Below
🔗 日本語レビュー
・【世界配管の日】配管システムとしての社会構造——水は上から下へ、汚水は下に溜まる
