Basic Info / 基本情報
|
English |
日本語 |
|---|---|
|
Director |
Darius Marder / ダリウス・マーダー |
|
Year |
2019 |
|
Running Time |
120 min (2h 0m) |
|
Genre |
Drama / ドラマ |
|
Production |
Ward Four, Caviar |
|
Box Office |
$1.0 million (Theatrical) |
Synopsis / あらすじ
English Ruben is a heavy metal drummer whose life is defined by the visceral power of sound. When his hearing suddenly vanishes, his world collapses into a terrifying void. Desperate to “fix” his life, he enters a sober community for the deaf run by Joe, a man who believes deafness is not a brokenness to be repaired, but a culture to be embraced. Ruben must choose between a frantic, costly quest to regain his past or the daunting path of accepting a new, silent reality. Sound of Metal is a profound exploration of loss and the transcendent stillness that remains when the noise of the world finally fades away.
日本語 ルーベンは、音の衝撃を糧に生きるヘヴィメタルのドラマーです。しかし、突如訪れた失聴によって、彼の世界は恐怖の空白へと一変します。かつての自分を「修理」しようと足掻く彼は、ジョーという男が運営する聾者のコミュニティに身を寄せます。ジョーは「聾(ろう)は治すべき欠陥ではなく、受け入れるべきアイデンティティである」と説きますが、過去に固執するルーベンは葛藤し、高額な人工内耳手術を追い求めます。『サウンド・オブ・メタル』は、喪失の痛みと、世界の騒音が止んだ後にのみ訪れる「真の静寂」を描いた、魂の再生の物語です。
Cast & Crew / スタッフ・出演
|
Role |
English |
日本語 |
|---|---|---|
|
Director / 監督 |
Darius Marder |
ダリウス・マーダー |
|
Screenplay / 脚本 |
Darius Marder, Abraham Marder |
ダリウス・マーダー、エイブラハム・マーダー |
|
Story by |
Darius Marder, Derek Cianfrance |
ダリウス・マーダー、デレク・シアンフランス |
|
Producer / プロデューサー |
Bert Hamelinck, Sacha Ben Harroche |
バート・ハメリンク、サシャ・ベン・ハロッシュ |
|
Cinematography / 撮影 |
Charlotte Bruus Christensen |
シャルロット・ブルース・クリステンセン |
|
Music / 音楽 |
Abraham Marder |
エイブラハム・マーダー |
|
Editing / 編集 |
Mikkel E.G. Nielsen |
ミッケル・E・G・ニールセン |
|
Sound Design |
Nicolas Becker |
ニコラ・ベッケル |
|
Distribution / 配給 |
Amazon Studios (US) |
アマゾン・スタジオズ(米国) |
|
Cast / 出演 |
Riz Ahmed (Ruben Stone) |
リズ・アーメッド(ルーベン・ストーン) |
|
Olivia Cooke (Lou) |
オリヴィア・クック(ルー) |
|
|
Paul Raci (Joe) |
ポール・ラシ(ジョー) |
|
|
Lauren Ridloff (Diane) |
ローレン・リドロフ(ダイアン) |
|
|
Mathieu Amalric (Richard) |
マチュー・アマルリック(リシャール) |
|
|
Chelsea Lee (Jessica) |
チェルシー・リー(ジェシカ) |
Additional Information / 追加情報
Awards / 受賞歴
- 93rd Academy Awards (2021) – 6 nominations, 2 wins:
- Best Film Editing – WON (Mikkel E.G. Nielsen)
- Best Sound – WON (Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés, Philip Bladh)
- Best Picture – nomination
- Best Actor – nomination (Riz Ahmed)
- Best Supporting Actor – nomination (Paul Raci)
- Best Original Screenplay – nomination (Darius Marder, Abraham Marder)
- 78th Golden Globe Awards (2021) – 2 nominations:
- Best Actor in a Motion Picture – Drama – nomination (Riz Ahmed)
- Best Screenplay – nomination (Darius Marder, Abraham Marder)
- 74th BAFTA Awards (2021) – 4 nominations:
- Best Actor in a Leading Role – nomination (Riz Ahmed)
- Best Actor in a Supporting Role – nomination (Paul Raci)
- Best Original Screenplay – nomination
- Best Editing – nomination
- Screen Actors Guild Awards (2021) – 1 nomination:
- Outstanding Performance by a Male Actor in a Leading Role – nomination (Riz Ahmed)
- Independent Spirit Awards (2021) – 3 wins:
- Best Feature – WON
- Best Director – WON (Darius Marder)
- Best Male Lead – WON (Riz Ahmed)
Critical Reception / 批評的評価
- Rotten Tomatoes: 97% (Critics), 93% (Audience)
- Metacritic: 97/100 (Universal Acclaim)
- IMDb: 7.8/10
- Eiga.com(映画.com): 3.9/5
- Considered one of the finest films of 2020 and a landmark in cinema’s treatment of disability and identity
- Riz Ahmed’s performance described as one of the great physical and psychological achievements in recent American cinema — a performance of extreme presence and controlled disintegration
- Paul Raci — a hearing child of deaf parents, fluent in American Sign Language, and a Vietnam veteran — brought to the role an authority no actor without that background could have provided; his Oscar nomination was widely described as overdue recognition of an extraordinary career
- The sound design by Nicolas Becker — the film’s true co-author — universally praised as a formal and technical revolution: the audience hears the film through Ruben’s ears, experiencing the progressive distortion and eventual silence of his auditory world
- Charlotte Bruus Christensen’s cinematography praised for its physical intimacy and its sensitivity to the visual language of deaf space
- Roger Ebert.com: ★★★★ “A film of devastating precision — Marder and Ahmed have made something genuinely new”
- The New York Times: “An extraordinary film about loss, identity, and the silence inside the noise”
- Variety: “Ahmed gives the performance of the year — a film that earns every one of its silences”
- The Guardian: ★★★★★ “One of the most important films about disability in cinema history”
- The Deaf community’s reception was nuanced: many praised the film’s portrayal of Deaf culture as community and identity rather than tragedy; some noted that Joe’s perspective — implants as betrayal of Deaf culture — represents one position within a genuinely divided community debate, not a universal consensus
- The film’s depiction of cochlear implants was discussed extensively in audiology, otolaryngology, and disability studies — praised for accuracy about both what implants can and cannot deliver
- Widely considered alongside Children of a Lesser God (1986) and The Sound and the Fury as defining films about deafness in American cinema
- The final scene — Ruben removing his processors and sitting in silence — cited as one of the decade’s most profound endings
Box Office Performance / 興行成績
- Format: Amazon Studios — streaming release with limited theatrical
- Theatrical Gross: ~$1.0 million (very limited theatrical run, primarily festival)
- Streaming: Amazon Prime Video (primary release platform)
- Production Budget: ~$6 million (estimated)
- Performance Analysis:
- Released October 2020 during COVID-19 pandemic — theatrical release effectively impossible
- Amazon’s streaming platform allowed the film to reach an audience far beyond what theatrical would have permitted
- TIFF 2019 premiere built strong industry buzz over a year before wide release
- Six Oscar nominations — including Best Picture — transformed its cultural profile
- Riz Ahmed’s acting nominations drove significant streaming viewership
- The film’s sound design Oscar win became a teaching moment: suddenly audiences understood why cinema sound matters
- Streaming Impact:
- One of Amazon’s most critically successful original films
- The accessibility of streaming was, for a film about deafness and accessibility, particularly resonant
- Amazon provided closed captions and audio descriptions — allowing both deaf and blind audiences to engage with the film
- Introduced Darius Marder and Riz Ahmed to the broadest possible audience
- Awards Season (Pandemic Year):
- The 93rd Oscars (April 25, 2021) were postponed from their usual February date due to COVID-19
- Sound of Metal competed against Nomadland (eventual Best Picture winner), The Father, Judas and the Black Messiah, and Promising Young Woman
- Its two wins (Sound, Editing) were the most technically precise recognition of its most technically revolutionary achievements
Related Review / 関連レビュー
🔗 English Review
・[International Cochlear Implant Day] In Silenced World, What to Choose — Answer Found in Silence
🔗 日本語レビュー
・【国際人工内耳の日】聞こえなくなった世界で、何を選ぶのか——静寂の中に見つけた答え




